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Day Five already for your (by now, very tired but also very happy) reporter.
Because, music lovers of the world, the quality of the gigs and DJ sets still
continues its steep rise.
All through the evening, the big room was the place to be for crowd-pleasing,
but nevertheless quality-laden, house and tech-house. Jon Cutler, author of last
year's mega-hit, It's Yours, took out one disco-inspired, vocal deep house
stomper after another, keeping them funky legs relentlessly jumping. Afterwards
Tyrant and Fabric delegate Craig Richards (with his Belgium debut) easily kept
the party going with an excellent choice of heavy house, tech-house, and funky
techno cuts. A groovy gig (with live bass and drums) by Antwerp's finest export
product Mayaku concluded what would have been, under normal circumstances, an
extremely entertaining evening in Room 01. But the Saturday evening party
atmosphere in the main room was completely overshadowed (true, a little unfair,
but life isn't fair, is it?) by the unusually elevated standards in Room 02.
There, Sir Kirk DeGiorgio, aka As One,
and the Jazzanova DJs Klaas and Jurgen
were tearing the roof off with that particular brand of music that makes the
KindaMuzik crew all dreamy in the head and hot in the bloodstream, thereby
simply annihilating the last shreds of doubt about Room 02's expected supremacy
on Day 7 and at the same time soliciting for Cosiest Room Of The 10 Days 2002.
Just to prove our point: 10 Days head honcho Eric Smout himself, in-between the
dreary nightly business of keeping the whole festival running smoothly, appeared
on the dance floor a few times to take in the necessary ear candy.
Our first encounter ever with Kirk DeGiorgio is not likely to be quickly
forgotten. The man, originally a contemporary of Black Dog, B12, and Carl Craig,
but who nowadays is situated more in the nu-jazz corner, started out his set
with soulful breaks in Bugz In The Attic and West-London styles, but during his
truly beautiful journey of a set, he took out disco classics, mixed up Carl
Craig's sublime
Problems with Pépé Braddock's Burning, and followed it up with
the likes of Metro Area 4's Miura, Jazzanova's That Night, and topped it all off
with Transition, the brilliant new UR release (We actually predicted [or was it:
prayed for?] he was going to play that one and guess what he did! What a DJ!). A
lot of Latin soul, joyous house joints, and the best Detroit techno we've ever
heard completed a heavenly set. After which DeGiorgio took in the well-earned
applause, and on the mic proudly announced the Jazzanova crew. Need I really say
how good it was? Do I really need say how loudly the crowd cheered? Don't think
so. Anyway, they started off with a reggae version of I Wish I Didn't Miss You
Anymore, continued with some mad-as-hell electro-break-techno (ain't got no
other name for it, I fear) and West-London breaks, their own Days To Come, some
Masters At Work, a lot of jazzy house and nu-jazz, and of all styles possible
that were displayed in this eclectic show of strength, they harked back
frequently to the good ol' disco stomp to bring the crowd in an ecstatic
music-loving mood. Surely the first time we've heard the guys make it so pumping
and going-for-the-party. Toward
the end of their set, they even shared the
decks with Belgian support DJ Philharmonix. And they ended their set with an
absolutely chilling soul gem — please! someone tell me what it was!
Jazzanova are the best, both on record and behind the decks. It only happened
that night: for once we hope they are lying. . . . Leaving this evening as a
serious contender for last week's outstanding Saturday. Onto the next, and with
a grin.
http://www.kindamuzik.net/live/beats/article.shtml?id=1721
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