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Expectations were high for Day 4 (or was it 5?) in Ghent, with the F
Communications label night on the menu: Frédéric Galliano, Llorca, and The
Youngsters on the first floor; Fabrice Lig and head honcho Laurent Garnier in
the main room; Ultrasonic (a 4T4 project) turning on the heat in Room 01; and
Belgian Movida resident Cosy Mozzy closing in Room 02.
The first disappointment came with the news about Llorca cancelling his gig due
to heavy back problems. However, his buddy David Duriez, with whom he runs the
Brique Rouge label, would come to the rescue.
We came in late, but thought we could still listen to Galliano's last
hour-and-a-half. After all, he was supposed to be playing between 10 p.m. and 1
a.m. Room 02 was virtually empty. Clearly (and understandably, for that matter)
bored out of his head, Galliano played one beautiful track after the other, none
of which was able to lure any more people into the chilly hall. Such a pity.
At midnight, a bald guy took over, dropping a fierce four-to-the-floor beat and
turning up the volume considerably. It was Monsieur Duriez, according to the
screens on which the visuals were shown. Well, actually it said, "Now playing:
David Durieuz," but hey, who's watching the screens, right? Duriez didn't slow
down one bit. It was as if he was trying to make the few people who had been in
the room during Frédéric Galliano's set forget about the lush soundscapes the
man had been creating, and prepare them for what was coming: The Youngsters'
banging live set. And he succeeded. People started coming in, and they stayed;
some even started dancing. It made the hall a warmer place, that's for sure.
But where did Galliano's third hour go, I kept asking myself, slightly
annoyed at not having heard his full set (. . . of course, I could have
been there at 10 p.m.).
When Duriez finished after about an hour, only halfway through Carl Craig's
fantastic remix of Recloose's Ain't Changing, The Youngsters came on for their
live set. Gil le Gamin and Olivier M. started nice and slow (well, sort of slow,
compared to the rest of their set), and the crowd, ever-growing in spite of
Garnier starting at the same time downstairs, was enthusiastic. Then the two
Frenchmen kicked right into fifth gear, speeding up to 150 bpm, no prisoners
taken. Their sound is clearly influenced by Detroit techno: fast and minimal at
times, but always funky. The people loved it, and Room 02 was grooving like
nobody's business. 10 Days Off rocked for the fifth day in a row, on to Day 6!
5! Whatever!
http://www.kindamuzik.net/live/beats/article.shtml?id=1712
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